How do photographers make their voice heard in a era saturated with millions of images? By forming a photo collective, a group of photographers with a common vision or subject matter. Photographers pool their talents and expertise to make a larger impact.
The idea is an old one. Magnum Photos set the tone for post-war photography, creating iconic images of war and conflict that still resonate today. And it’s a photo collective, owned and operated by the top editorial photographers in the world.
Slightly less famous is The Rooftop Collective, a gang of seven with a shared interest in lifestyle photography (i.e., gorgeous photos of food and drink). Growing out of the much-larger InstagramDC group, the collective had their first show recently at Black Whiskey, a nouveau dive on 14th Street in Washington, DC. Being friends with the group, I was glad to attend – and take some photos with my trusty Canon G9X.
There are a lot of advantages to being part of a collective. Putting on an individual show is a daunting effort. Providing a few photos for a group show is much easier. Collective members share their experience in framing, staging, marketing and outreach.
Being part of a collective is also a third-party endorsement, even if it’s self-created. If you like one Rooftop Collective photographer, you’ll probably like another, for the photographers have been selected for a similar vision.
The biggest benefit, however, is the power of the network. The show at Black Whiskey was packed for the group could draw upon their combined social networks. With seven members, that’s a lot of invites going out and a lot of exposure for photographers in the collective.
By pooling their contacts, resources and skills, the Rooftop Collective can make a much bigger impact as a group than they ever could do individually.
Comrades, the future is the (photography) collective!
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