Victory Party: The Story of a Story

Victory Party in City Paper
Victory Party in the City Paper

My short story, Victory Party, won First Place in the City Paper Fiction Issue. Since then, a number of friends have asked me about the story. Where did the idea for Victory Party come from? How did I write it? Why did I write it?

Here are answers to Frequently Asked Questions. It’s the story of a story – how Victory Party got made.

Idea

The deadline for the City Paper contest was not long after the Presidential Election. It was a natural subject. According to Mary Kay Zverloff (author of Man Alive!), who judged the competition, the vast majority of short story submissions dealt in some way with the election.

I was surprised, like most people, by the depth of Trump’s support. This election was Hillary’s to win – all the polls agreed. But, clearly, there was a secret class of Trump supporter, people in the shadows, who kept their opinions to themselves.

Who were they? What motivated them? Exit the DC bubble and it’s not hard to find folks suffering from hard times. As I wrote in Victory Party, these were people who:

voted for the man, out of desperation, a mad hope that someone could change their cursed little town and their cursed little lives.

But what would it be like to be a Trump supporter in Washington, where 96% of people voted for Clinton?

Conducting research with The Emperor's Clothes at McClellan's Retreat
Conducting research with The Emperor’s Clothes at McClellan’s Retreat

Setting

There are a lot of bars in my fiction. Write what you know! It’s the default setting for a Joe Flood story. I find bars to be interesting places that bring all manner of people together. Having talked to a few bartenders, I’m also fascinated by the business of bars, how a couple dollars worth of booze gets magically transformed into an $18 drink.

DC has seen a rise in this “cocktail culture” over the past few years, as the loveable dives of my youth give away to exclusive speakeasies. I decided a ridiculously hipster bar would make a good locale for my story, the better to illustrate the contrast between elite DC and the real world.

I had two sources of inspiration for my setting: Bar Charley and McClellan’s Retreat. I wandered into Bar Charley on election night. It’s a cozy, brick-lined basement much like my bar in Victory Party. And, like in my story, there was a palpable sense of tension there on election night, an expectation of victory tinged by a fear of the unfathomable.

My other inspiration, McClellan’s Retreat, I just love. Quiet, dark and with no TVs, this Dupont Circle craft cocktail bar is a great place to meet friends for an intimate chat.

Characters

I mock the people of DC in books like Murder on U Street. I think newcomers to the city are naive and clueless. A shiny veneer has been placed over a Washington that still houses the poor and disaffected, a city where anything not locked down gets stolen.

In Victory Party, my bar patrons are sloppy and careless, blithely handing over their credit cards to questionable individuals and willing to get in any car that looks like an Uber.

It’s also a city of winners and losers, in which incumbents capture whole economies and take the benefits for themselves. Homeowners vs Renters. Baby Boomers vs Gen X. Feds vs Contractors.

I illustrated this dichtomy with two characters: Randy and Michael. Randy is an ex-con with $27 in the bank. Michael owns a bar which serves watered-down drinks – and no one notices. Their view of America is shaped by the opportunities available to them. Crime tempts Randy while Michael is effortlessly rich.

Plot

Short story submissions to the City Paper contest had to be less than 1000 words. That’s short. This blog post is longer than that.

The word limit forced me to focus on the most essential elements of my story. All I wanted to show was the moment that Trump won, the shock in DC, and one person who was happy about it. Victory Party sketches out its characters and themes and then delivers us to that epiphany.

Writing & Editing

When I write, I like caffeine and background noise, preferring to work in coffee shops. I wrote the first draft of my story the week before Thanksgiving. The first draft was 1300 words. It was called “Her” and was largely about the reaction of Hillary’s supporters to the loss.

After writing the first draft, I let the story sit for a day and then began cutting, to get the tale below 1000 words. Inspired by the excellent new Hemingway bio, Ernest Hemingway: A New Life, I chopped anything resembling exposition, i.e., explaining the characters rather than showing them do stuff. Show, not tell. 

I focused on Randy and his outsider’s view of the speakeasy, letting out just enough exposition for the reader to understand why he would resent a bar full of wealthy, naive Democrats. “Joe Flood masterfully doles out information,” Mary Kay Zverloff said in her introduction to my story, a comment which made me happier than anything else. She even used Victory Party in her writing class as an example of how to do exposition.

After getting my story below 1000 words, I picked at it for days, like a turkey carcass, deleting and rewriting bits and pieces of it.

The ending was a struggle. How much happiness would Randy reveal? I rewrote the last paragraph several times. In the end, I opted for my main character having a quiet moment of victory, one that he knows won’t last.

I also changed the title, from Her to the ironic Victory Party.

What’s Next

To celebrate the Fiction Issue, the City Paper had a party at Kramerbooks, where I read my story before a packed audience. I’ve been going to Kramers for decades – this was a thrill.

If you liked Victory Party, you’ll love my novel Murder on U Street, a mystery set in the real city beyond the monuments. Read this book if you want a wry look at the DC art scene.

I also have another novel in the works – Drone City, a satire in which a drone crashes into the White House, leading to the end of the country as we know it. It’s a comedy. I’m editing the manuscript now and am looking for agent. Look for it later this year 🙂

Writing the Dreaded Query Letter

Marked-up query letter for DRONE CITY.
Marked-up query letter for DRONE CITY.

Can you get a literary agent through a query letter? That was the question I had before attending “Writing the Dreaded Query Letter” at the Writer’s Center in Bethesda. Alan Orloff answered the question in the affirmative. Not only has he obtained representation solely by an email query, he showed us how in this Saturday afternoon class.

The first point he made was perhaps the most important – a query letter is a business letter. It’s not a philosophical treatise. It’s a short, concise email communication that’s designed to get an agent to read your writing sample. That’s it.

Like a good business letter, a query letter has four parts:

Salutation: Address a particular agent by name. You can find agents online through resources such as AgentQuery.

Hook/Description: The hook is a catchy sentence or two designed to catch a reader’s interest. For example, “It’s Jaws in space.” Follow that up with a paragraph describing the plot of the book – what happens and to whom.

Biography: Mention your writing credits and any relevant experience you have.

Close: Thank them for their time and include the first five pages from your manuscript. No need to ask for representation – that’s why you’re writing them.

It was a workshop so I also received feedback on the query letter for my upcoming novel DRONE CITY, from the class and from Orloff (see above). He mentioned that he spends weeks polishing his queries. You only have one chance to impress an agent so you have to make sure that your letter is perfect.

The small class closed with participants exchanging email addresses and Orloff sharing copies of his book, Diamonds for the Dead.

I took this class because I’m working on another novel – DRONE CITY. In this satire, a drone lands on the White House lawn, setting in motion a chain of events that leads to the end of the nation as we know it.

With my previous books Murder in Ocean Hall and Murder on U Street, I skipped over the “find an agent” step and self-published, thinking the publishing business was based upon referrals. Orloff showed that it was possible to find an agent through a professionally written query letter. After taking his class, I’m looking forward to finding an agent for DRONE CITY.