Booksellers and publishers criticize Amazon for destroying the clubby old world of publishing. Yet, for readers and writers, the online retailer is constantly rolling out new features to expand the reach of books and the power of authors.

Case in point: Amazon’s Lending Library. Amazon Prime members can borrow one book a month for their Kindles with no due date. And unlike your library and its e-book service, thousands of books are available now and you don’t need to download complicated software to read them. All you need is Amazon Prime and a Kindle (or the Kindle app on an iPad). This is a tremendous service for readers around the country, who now have access to a vast library of books.

How this works for authors - I’m an Amazon author, having used their Kindle Direct Publishing service for Murder in Ocean Hall. When the lending program rolled out, I was given the option of enrolling my book. I did. As incentive, Amazon set aside a $6 million pool in 2012 to be divided up by authors who participate. So, if there are six million borrowed books in the year and a hundred of those borrows are Murder in Ocean Hall, then I get $100.

There’s a lot of experimentation going on in the e-book space, as the market adjusts to this new world of publishing. But what I like about these changes is that more power has been given to writers, and more choice is available to readers. That’s something to cheer about.

The American dream is no longer about accomplishment – it is about achieving a Kardashian-level of fame. We’ve become a society that values the famous more than we do the virtuous.

This desire to be seen, to be known, to be recognized (no matter your dubious accomplishments) is insidious, teaching people that having your own reality show is the ultimate American achievement.

For anyone that thinks that happiness comes from being on screen (or having millions of Twitter followers), I’d recommend The Winner Stands Alone, a thought-provoking novel by Paulo Coelho. He’s the author of The Alchemist, a global phenomenon of a book about the authentic pursuit of your dreams.

Set in the glamorous world of the Cannes Film Festival, The Winner Stands Alone starts out as a murder-mystery but is more a meditation on the desire for fame. It’s a cruel book, at times, as it illustrates the lengths that the aspiring will go to become members of the “Superclass” – and the hollow center that they encounter once they arrive.

It’s a great book for anyone who wants to go to Hollywood, exposing the phony and worthless nature of the “fame game.”

The Winner Stands Alone is far from a perfect book. With all of Coelho’s novels, characters and dialogue are largely secondary to the parable that he wishes to tell. Everyone sounds like Coelho, the wise teacher.

The Alchemist is about following your dream; The Winner Stands Alone is about the danger of following someone else’s.

This is a preview of my next novel, Don’t Mess Up My Block. It’s a parody of self-help books like Who Moved My Cheese. Look for it after the holidays!

Why do the great novels of our age emerge from New York and not DC? Washington is the capital of the country, except when it comes to fiction-writing.

I examine these questions in The Washington Literary Inferiority Complex, recently published by nthWORD Shorts. I think it’s time for the Great Washington Novel.

With more than 40,000 words written, I think it’s safe to reveal that I’m working another another book.

It’s not a mystery like my previous novel, Murder in Ocean Hall.

Instead, it’s a satire called Don’t Mess Up My Block. My novel is a parody of self-help tomes like Who Moved My Cheese.

The story is told by Laurent Christ, a management consultant and life coach from the plains of North Dakota. A late-night encounter with a hooker (who tells him to get lost) becomes his core philosophy, one that he applies successfully to life and work.

Aren’t we all afflicted with people or situations that are “messing up our block”? Whether it’s a nagging spouse or an annoying boss, wouldn’t we be more effective without them?

From the swankiest of CEO sanctums to the bowels of government, Laurent leads us in a misfortune-plagued journey through the world of work in America today. A creature of his own invention, he always comes out ahead, while leaving his clients in misery.

The book was inspired by the self-help genre, this popular and peculiarly American phenomena. If Mark Twain were alive today, he’d probably be writing a book on getting organized.

Excerpts from this book have already been published, as stand-alone stories:

Don’t Mess Up My Block
Thirty First Bird Review
Laurent goes to Africa and destabilizes a whole country.

Boom and Bust
SPLIT Quarterly
Shareholders are angry and only Laurent can save a desperate executive.

I’m diligently working on the book right now. Look for it on a Nook or Kindle later this summer!

My book, Murder in Ocean Hall, is now available on the Nook. Owners of the Barnes and Noble Nook and the Nook Color can pick up a copy of this novel for just $2.99.

In my book, the world’s most famous ocean explorer is killed at the Smithsonian. It’s up to a cynical DC detective to solve this high-profile case.

Murder in Ocean Hall takes place in a Washington “beyond the monuments”, in the real neighborhoods of the city that most tourists don’t see. Set during the summer before the 2008 presidential election, we follow Detective Thomas across the city as he encounters the powerful and the powerless in his quest to solve this case. He’s grown bitter from decades of investigating bloody mayhem on city streets. Despite the new condos and gentrification, has the city really changed? Or is it doomed to dysfunction?

A reviewer wrote about Murder in Ocean Hall that it:

will take you behind the scenes of places you’ve been and tell you how they function then give you insights into people in power and how they fail to function.

Murder in Ocean Hall is available on the Nook thanks to Barnes and Noble’s PubIt, an online service that allows authors to easily publish e-books.

Powerful tools like PubIt, Kindle Direct Publishing and CreateSpace allow independent authors like myself to connect with readers worldwide. They’ve enabled me to publish Murder in Ocean Hall in print, Kindle and Nook editions.

My short story Boom and Bust has been published in the online literary journal SPLIT. Boom and Bust is a satire, told from the perspective of a self-deluded marketing consultant. Obsessed by money and status, my narrator represents all that’s wrong with America these days. In my story, he’s helping an evil CEO escape the wrath of shareholders.

SPLIT is a new online magazine designed to showcase emerging talent in the art of storytelling. “Spill” is the theme of the second issue of the magazine. SPLIT features poetry, photography, a novel excerpt and even a short film.

Boom and Bust is part of a novel that I’ve been working on. Check out the further adventures of my consulting friend in the short story, Don’t Mess Up My Block.

Check out the interview with me at Borderstan, a news web site that covers the Dupont-Logan area in DC. Or, rather, the border between the two areas. At one time the neighborhood was called Dupont East. Now, most people call it Logan Circle. Though less funky than it used to be, it’s still a fascinating cityscape, filled with beautiful townhomes, hip bars, art galleries and pretty much anything else a city person could need.

I like the area so much that I set much of my novel Murder in Ocean Hall here. I have the detective protagonist of the book living on the 1400 block of T Street while the murder victim lives in one of the new condos by Whole Foods. My books asks where DC has really changed for the better, from the bad old days of Marion Barry. On a beautiful spring day like today, that’s an easy question to answer.

SXSW in 2007

SXSW Interactive is an annual conference of social media and web geeks in Austin. It’s a huge, exhausting event that takes place over a long weekend in March and is popularly known as the conference that introduced Twitter and other new forms of communication.

The criticism now is that it’s gotten too big and too corporate, dominated by giant corporations trying to be hip. And that it’s gotten to be such a chaotic moshpit that it leads to network outages.

I went to SXSW in 2007 and 2008, just the right moment before it became mainstream. The conference taught me to love the brilliant minds at 37signals, whose radically hopeful ideas about the future of work cannot arrive soon enough. I learned that project management should be as simple as possible. Gantt charts and MS Project should be avoided in favor of clear goals that everyone can understand. REWORK is their vision for the ideal work environment, where meetings and busywork are eschewed in favor of collaboration and results. Their philosophy is subversive and attractive for anyone stuck in boring meetings or lengthy conference calls.

A surprising part of SXSW for me was meeting authors and discovering self-publishing. Listening to showmen/charlatans Tucker Max and Timothy Ferris, I realized that I should write and publish a book. Rather than trying to interest a NYC publisher, they just started writing and blogging their adventures and opinions. In the trade show, I also got to examine the slick self-published titles produced by Lulu – they looked and felt exactly like “real” books and were indistinguishable from anything you’d find at Borders. These two lessons:

1. Ignore the gatekeepers and write your book
2. Self-published books are real books

within a year prompted me to write my first novel, Murder in Ocean Hall.

Dave and Margie Newman

However, so much of the best stuff at SXSW happens outside the convention center. Like when I met Dave and Margie Newman in the beer tent, who ended up moving to DC and becoming great friends.

Or when I encountered the strange figure of Reverend Billy, railing against consumerism and Starbucks. And just the experience of getting out of DC and going somewhere warm to eat BBQ and watch women in skirts and cowboy boots was rejuvenating.

Reverend Billy

I realized that I’m more interested in going to Austin than attending SXSW. Unlike when I attended in 2007 and 2008, there are panels relevant to my job as a web editor for government web sites. But the thought of yet another endless discussion by self-appointed thought leaders on “Gov 2.0″ makes me ill. Why go to SXSW to see that?

I hope that the govvies in Austin avoid such seminars and look for the different and the oddball. Roam the streets. Talk to people. Stay out late and get drunk.

Another reason for skipping SXSW is that some of the “keep Austin weird” creative spirit that I like so much has migrated to DC. Unbelievable, yet true.

Just look at my schedule for this month. Last night, I went to screening of short films by a local director – this is someone who is making movies outside of Hollywood. Then on Tuesday is the DCist Exposed Photography Show, a community-based exhibit of photos that embodies the democratic, creative ethos of SXSW. Later in the month, I have the DC Film Salon on my calendar, another communal mediamaking event. I also plan on doing some writing for the Pink Line Project, an online guide to the arts in DC.

The do-it-yourself creative spirt of Austin and SXSW inspired me to create art. Being there made me realize that I wasn’t interested in the stories of startups making millions of dollars, of the next Twitter or Gowalla. And of large organizations trying to adapt to new technology… that doesn’t seem to belong at SXSW at all.

Instead, I was intrigued by individuals making art on their own, whether they were writers, photographers, bloggers or filmmakers.

SXSW demonstrated to me that you could write and publish your own book. Or make a short film. Or create a blog to share your message. It had an enormous influence on me and one that I’m still trying to incorporate into my life.

Perhaps that’s why I don’t feel the need to attend SXSW this year. I’m still working on what I learned from previous years. These are ideas of autonomy and creative self-expression, empowered by new tools such as self-publishing and social media. You don’t need to sit in a convention center to learn that. You just have to participate.

My novel, Murder in Ocean Hall, has advanced to the second round of the Amazon Breakthrough Novel Award (ABNA).

ABNA is a competition sponsored by Amazon for self-published and unpublished novels. This year’s competition will award two grand prizes: one for General Fiction and one for Young Adult Fiction. Each winner will receive a publishing contract with Penguin, which includes a $15,000 advance. (I’m entered in General Fiction.)

Quarter-finalists will be announced on March 22 while we don’t find out the first place winner until June 13.

The competition is also a great way for Amazon to highlight their self-publishing tools, CreateSpace (for print books) and Kindle Direct Publishing (for e-books). They’re both easy and free to use.

Murder in Ocean Hall is a mystery set in Washington, DC. The world’s most famous oceanographer is killed at the Smithsonian. Set during the summer before the 2008 presidential election, we follow Detective Thomas across the city as he encounters the powerful and the powerless in his quest to solve this high-profile case. Thomas has grown bitter from decades of investigating bloody mayhem on city streets. Despite the new condos and gentrification, has the city really changed?

Murder in Ocean Hall is available exclusively at Amazon. The paperback is $9.99 while the Kindle e-book edition is just $2.99.