Photographers Not Working as Photographers

I don’t like fall. To me, it means shorter days and colder temps, both of which I hate. But it’s diminishing daylight that really gets to me. As sunset creeps toward 5 PM, it’s like the whole world is coming to an end.

The season has one redeeming feature: changing leaves. In the mid-Atlantic, the green slowly fades into yellows, oranges and reds over the course of more than a month. The trees have just begun to change colors in downtown Silver Spring:

Changing seasons

I took this photo on my lunch hour, with my iPhone 5. But I thought the picture was too busy and didn’t like the trash can on the left. The branch extending across the top of the photograph was what interested me most. I thought it would make a good Instagram shot.

I cropped it in Instagram, then used the enhance button and applied the Walden filter to give it a desaturated look – like a faded photo found in an attic. I liked the creamy blankness of the sky. Lastly, I turned down the shadows to bring in a little more color in the leaves and to increase the contrast between the branch and the leaves. Here’s the final result:

Looking a little like fall in downtown Silver Spring #igdc #dtss

All this took about five minutes, back in my cubicle at work. I added it to a few Flickr groups and a couple days later I saw my photo on Capital Weather Gang, used to illustrate the arrival of fall in DC. And it was the second photo of mine that they used this week.

I work for a government agency but don’t shoot for them – they don’t have staff photographers, a photo library, a photo budget or photo editors despite the fact that we need photos all the time for web pages, brochures and social media. Instead, as a contractor, I write, edit, go to meetings and toil away in bureaucratic obscurity for the agency.

I’m far from alone in this situation. If you check out local blogs or art gallery shows, you will find the work of talented photographers, nearly all of whom have jobs with the federal government or corporate organizations. They’re photographers not employed as photographers. Instead, they’re system admins or technical editors or even senior management.

We live in a visual age but organizations large and small devote few resources to photography. Think what a company could do if it engaged, organized and compensated their own unofficial staff photographers. After all, who could tell the story of your business better than the people who work there?

Like the legions of photographers in other jobs, I’m going to continue to take photos, because I enjoy it. Photography gets me through the seasons, like the dying fall, and it might just deliver me to a future in which photography is recognized for its storytelling potential.

Local Film “The Goblin Baby” Screens in Georgetown

So happy for Shoshana Rosenbaum and The Goblin Baby. This was a script I read last year for the DC Shorts Screenplay Competition – it was one of the finalists and had a live reading before an audience at the Atlas Theater.

Inspired by the DC Shorts experience, and with help from Women in Film and Video, Shoshana raised money through Indiegogo and made her movie, filming in the Palisades neighborhood of DC in the middle of our polar vortex winter.

This is what I love about DC Shorts – it nurtures filmmakers in Washington. You don’t need to be in Hollywood to make a film. With a little support, a little money and help from friends, you can make a short. We’re also lucky to have great local talent – several of the actors in The Goblin Baby also appeared in House of Cards.

The Goblin Baby posterA mix of archetypal fears and modern anxiety, The Goblin Baby is like an update of one of those Grimm fairy tales far too terrifying for children anymore. 

Over the years, I’ve read hundreds of scripts for DC Shorts. This is one of the few that stayed lodged in my brain. It’s spooky and works on an unconscious level, triggering age-old fears of darkness and abandonment. And with its smoky palette and things occurring just out of frame, the film captures the elemental dread that I enjoyed in the script.

Shoshana had a screening of her short film before a packed house at Ri Ra in Georgetown last night – they have a meeting room upstairs that was converted into a theater for friends and family. In addition to the baby crying on the screen, there was a baby crying in the back of the theater, which made the experience even spookier.

The Goblin Baby has been submitted to short film fests – good luck Shoshana!

Full House at DC Shorts Screenplay Competition

Full house at DC Shorts Screenplay Competition
Actors read screenplays before a full house at the DC Shorts Screenplay Competition.

It was standing room only for Friday night’s DC Shorts Screenplay Competition! Actors did a table-read of six short screenplays before a packed house at the US Navy Memorial. As a judge for the competition, I helped pick the finalists so I was very familiar with these short screenplays. But seeing and hearing an audience react to them being read – that’s always a surprise. Will people laugh for the joke on page three? Only a live audience can answer that.

After all the scripts had been read aloud, we counted the votes. Everyone had to vote for their two favorites, so that people wouldn’t just vote for their friend’s screenplay.

While we tallied the results, the audience watched The Goblin Baby by local filmmaker Shoshana Rosenbaum. This script was a finalist in last year’s competition; she made it herself, raising money through Indiegogo. Shoshana joins the long tradition of DC Shorts alumni who go on to do interesting things, inspired by the DC Shorts experience.

The audience selected Breaking as the winner. Canadian filmmaker David Feehan received a check for $1000 – he’ll get $1000 more when he turns his script into a film, plus automatic admission to next year’s DC Shorts. I was proud to be part of such a unique event.

I’ve entered countless screenplay contests myself – I even won one. But unless you win, you never hear anything back from them. The DC Shorts Screenplay Competition is different in providing written feedback to all entrants. And by giving the winner automatic entry into next year’s festival, it turns screenwriters into filmmakers. That’s what makes it one of the most unique screenplay competitions in the country. So, write a short script and enter it next year!

Pick the Winner of the DC Shorts Screenplay Competition

Come see the DC Shorts Screenplay Competition tomorrow night at the Navy Memorial. Watch a live reading of short screenplays and you get to decide on the winner. As a judge, I helped pick the finalists. But you get the ultimate choice of who wins $2000.

And while I’m counting the votes, enjoy The Goblin Baby by local filmmaker Shoshana Rosenbaum.

Three great local films at DC Shorts

Retirement, a film by Rob Rafferty.
Retirement, a film by Rob Raffety.

For 11 years, the DC Shorts Film Festival and Screenplay Competition has screened the world’s top short films to audiences throughout the region. This year, the festival will showcase 135 films from 25 countries. It’s a great, local event that brings filmmakers and audiences together in the Penn Quarter in Washington. Not surprisingly, it’s been named the Best Film Festival by the Washington City Paper for three years in a row.

What makes DC Shorts great is that it’s a festival for filmmakers, providing new talent the opportunity to emerge – especially local talent. I’ve been glad to have been a part of DC Shorts as a judge, photo coordinator and other duties.

How do you decide what to see in this cinematic smorgasbord? How about some local films? Here are three that I like – plus a bonus flick!

Heal H Street
The transformation of H Street over the past decade has been astounding. But newcomers to the city may not be aware that H Street was not always yoga studios and taquerias. Documentarian Craig Corl uncovers the story of this neighborhood, from riot to renewal. Focusing on the accounts of the people who’ve lived through it all, he tells the real story of H Street. It’s a must for anyone interested in the urban history of Washington or just curious as to what the city was like in the 80s and 90s.

Voyage of Discovery
Nature has a perfection that art can never approach. Cells and viruses are not only beautiful under a microscope they are ideally suited for their functions. Three local female artists share how they’ve been inspired by the beauty of science. By showing how these women work, and the source of their creativity, this documentary by Carla Schaffer will inspire you to pick up a brush.

Retirement
If you work in downtown DC, you’ve seen Running Backwards Man. He’s the inspiration for this brilliantly edited comedy. Retirement by director Rob Raffety is like Office Space but set in Washington. If you’re stuck in a cubicle, you will relate – maybe a little too much.

Bonus: Come to the DC Shorts Screenplay Competition on Sept 19. Watch a live screenplay reading and select the winner of $2000. While I’m counting the votes, you can watch The Goblin Baby by local filmmaker Shoshana Rosenbaum. Her dark tale of motherhood was a runner up in the 2013 Screenplay Competition.

 

Friday Photo: Poolside Edition

Poolside

Summer is coming to an end. It’s been a very mild Washington summer, the coolest that I remember. The water in the pool is chilly and you can sleep with the windows open.

The days are starting to get a little shorter. The shadows a little longer. Soon, fall will arrive and poolside will be a distant memory.

Faith by the Strata Collective at Leica DC

Gotta have faith

What is faith? Is it believing in a God that you cannot see? Is it blind trust in unreliable narratives passed down over the centuries? Or is it the simple belief in the goodness of our communities and ourselves?

The members of the STRATA Collective examine what it means to believe in”Faith,” their photography exhibition now on display at Leica DC. From the backroads of Texas to the crowded urban streets, their photos demonstrate the complex and occasionally absurd ways Americans believe.

The photos are presented in the gallery without comment, explanation or even titles. STRATA believes that it’s up to the viewer to decide what a photo means. It’s up to you to decide what the photo is all about, whether it’s a picture of Divine towering over anti-gay protesters or the simple portrait of a nun. They provide no clue as to what you’re supposed to “get” from the picture.

Instead, you examine the photo. You create meaning from it. You decide what to believe.

“Faith” will be on display at Leica DC (977 F St NW) through October.

Friday Photo: DC Shorts Edition

In the audience for DC Shorts at the Navy Memorial #dcshorts
Ten years of the DC Shorts Film Festival.

The DC Shorts Film Festival returns in September! This year’s festival is truly SPECTACULAR: 135 films from 25 countries screened in 17 unique 90-minute showcases. Each show screens 7-9 films: comedies, animation, dramas, documentaries — and by filmmakers around the corner to across the globe.

MovieMaker magazine calls DC Shorts one of the coolest film festivals in the world. What makes it special is the opportunity to see a smorgasbord of cinema and meet interesting filmmakers.

It’s one of my favorite events of the year and something I’ve been a part of almost since the beginning. This year, I helped select the finalists for the Screenplay Competition, a live reading in which the audience gets to pick the winner.

You can be there too! The 11th DC Shorts Film Festival is kicking off ticket sales with a special offer: $2 off EVERY screening, party and special event ticket. Use the special code FIRSTLOOK14 — but hurry: this offer expires Saturday at midnight!

IN MY EYES: Hardcore Concert Photography in DC

Like band photos? Go see the work of @andradexcobain at The Coupe
Photographer Michael Andrade at the opening of IN MY EYES at The Coupe in Washington, DC.

Lucian Perkins had it easy. When the Pulitzer Prize-winning photographer covered punk shows in a ruined Washington, DC, he was the only person with a camera, as documented in the brilliant Hard Art DC 1979.

But, these days, everyone is a photographer, holding their iPhones aloft as soon as a band warms up. How do you get concert photos that don’t look like a million other pics on Facebook?

If you’re Michael Andrade, you find small gigs. You get close. You get in the pit. You’re so committed that suffer nerve damage to get the shot.

His work is captured in a new photo exhibit, IN MY EYES, which is on display at The Coupe  until September 1. The exhibit features photos from 11 different DC-area hardcore bands. He brings you the excitement of unknown bands in small venues, all told in dramatic black and white. Andrade captures the joy of the experience, with as much emphasis on the crowd as the band – exactly like his mentor Lucian Perkins did more than thirty years ago.

Bikes and Bias: Why You Shouldn’t Trust the Washington Post

IMG_8399.jpg
Bike terrorists who deserve to be run over, according to Washington Post columnist Courtland Milloy.

There was a time when the media considered itself a fourth branch of government. They were the ones responsible for “keeping them honest” and “speaking truth to power.” Objective arbiters of the truth, journalists were an elite class charged with communicating the news to the rest of us.

No organization embodied this high-minded civic sentiment more than The Washington Post, the paper of Woodward and Bernstein, the paper that brought down a president.

Today, the Washington Post published a poorly-written, factually incorrect, hate-filled screed advocating violence against cyclists. The author was Courtland Milloy, a Washington Post columnist, who writes:

It’s a $500 fine for a motorist to hit a bicyclist in the District, but some behaviors are so egregious that some drivers might think it’s worth paying the fine.

Believe it or not, but this piece (with its factual errors, stereotyping and threats of violence) was reviewed and edited by editors at the Washington Post.

Several commentators (including me) had a tweet-exchange with one of them, asking how this could pass the Post’s supposedly rigorous standards. His reply:

You know what other views are widely held? Millions of people believe that Obama was born in Kenya. Others think 9/11 was an inside job. And a big chunk of the US population is certain that UFOs exist. But you don’t see their views in the Post. Why not?

Because the Post has editorial standards. They do not allow the beliefs of violent, racist crackpots on to their pages.

Unless you’re Courtland Milloy. He’s kept on staff because he’s supposedly the voice of black Washington – though he no longer lives in the city. Lacking a black perspective on the op-ed page, they pay him handsomely for the odd column, though his hate-filled rants would not be tolerated from a white writer. It’s patronizing liberalism at its worst, literally the soft bigotry of low expectations, and occurs despite the fact that there are plenty of talented black voices in this city.

Why not look for an African-American Ezra Klein rather than hanging on to this relic from the Marion Barry era?

Bikes have a way of revealing biases. For example, gentle-voiced Scott Simon of NPR, also hates and stereotypes cyclists. What other strange views does he hold? Are there other groups he thinks should be singled out for punishment? How do these biases influence what NPR covers?

Reporters say nasty things about cyclists because they can. Slurs against cyclists are acceptable while stereotyping other groups is not. Reporters give voice to this hate because there is no punishment for it. These biases exist and influence what stories get covered – and what stories don’t. Anti-cyclist hate is acceptable in the pages of the Post while the birthers are not.

The media is not objective. Do not believe what The Washington Post says. The Internet and Twitter provide wonderful real-time fact checking. We no longer have to blithely accept what our self-appointed guardians write, especially if they disgrace themselves by publishing hate-filled rants.

The media is not a fourth branch of government – the Internet has assumed that role. Read critically and make up your own mind.