DC Shorts – My Picks

This year, I’ve been more involved with the DC Shorts Screenplay Competition (coming in October) than the actual film festival. Still, as an Executive Judge for the festival, I did get to see some of the films that were selected for inclusion in DC Shorts. I’m also familiar with a couple of the directors or heard about the buzz. So, these are my picks – the films that I am looking forward to seeing:

Expiration – Are you one of those people who doesn’t worry about expiration dates on food? You should.

Sunday Punch – The trailer is sexy and it looks beautifully shot.

L1feline – I’ve read scripts by the writer of this short, Anthony Greene, and really liked them – he’s got a great ear for how people really speak.

Snowpocalypse: Day 6 – A one-minute long film about the big DC snowstorm? I’m intrigued.

Bagged – Is this comedy about a woman who falls in love with a purse stereotypical or way too honest? There was a lot of discussion about this one among the judges.

Easy Made Hard – The script for this urban drama was a finalist in last year’s DC Shorts Screenplay Competition. I saw it read during the DC Shorts live screenplay reading. It’s riveting and I can’t wait to see the film.

Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual) – A nearly twenty-minute long comedy from Spain about a 27 year-old and his imaginary friend. Unusual films like this are why I love DC Shorts.

Each of these shorts is part of a longer showcase of films – two hours worth of short films from around the world. You’re bound to find something you like.

DC Shorts Tickets on Sale

I wrote a brief story for the Pink Line Project mentioning that tickets are now on sale for the DC Shorts Film Festival.

It’s a festival that I’ve been involved with for years and is definitely worth attending. The films are interesting, you can meet the filmmakers, and the parties are awesome. Plus, it all happens downtown, in the Penn Quarter. I’ve had a blast over the years – I’ve met incredibly creative people in a casual atmosphere.

There Are No Rock Stars

You do not need to take a class with a “rock star” to be creative. This faith in the magical ability of experts to transform lives is ironic in our secular  society. Gurus, rock stars, life coaches, Oprah – they can make you change. Most people don’t go to a priest for career advice yet believe that taking the workshop of a famous person will cure their creative funk.

I was thinking about this after reading comments by a talented photographer friend of mine, Mary Kate McKenna. She was writing about “rock star” wedding photographers and their high-priced workshops:

REALLY tired of newbie photogs (I still consider myself a newbie in the industry!) doing workshops for other professionals, charging a lot of money, with no real business skills and embellishing the amount of money they make in the industry. Before attending a “rockstar” workshop, do your research. Continue reading “There Are No Rock Stars”

Reel Lessons in Marketing

Check out my article, Reel Lessons in Marketing on FlackRabbit. It was inspired by my experience working for the DC Shorts Film Festival. I’ve been involved with this annual event for several years and have done almost everything – I’ve judged screenplays and films, taken pictures, sold t-shirts, moderated discussions and, of course, attended numerous parties. With my front row seat at this festival, I’ve learned a lot about marketing – lessons for anyone promoting an event, product or cause.

Writing About Creativity for the Pink Line Project

I’m going to be writing for the Pink Line Project.  What’s Pink Line?  Describing itself as “a catalyst for the culturally curious”, the site is a guide to DC’s art and cultural scene.  If you’re looking to attend fun art parties in Washington, and learn more about the arts, it’s a great site to check out.

From watching rollergirls arm-wrestle to dodging skateboarders at a photo exhibit, I’ve enjoyed the Pink Line events immensely.  It’s an unexpected side of stuffy Washington that’s much more interesting than some boring Capitol Hill cocktail party. Continue reading “Writing About Creativity for the Pink Line Project”

Funky Prairie Boy – My Favorite Film of DC Shorts

Go see the best of DC Shorts on Thursday night at E Street Cinema.

It was a great festival again. I’ve volunteered with DC Shorts for more than four years now and each year it gets better and better.

My personal favorite film in the festival was Funky Prairie Boy. It won the Diversity Award (presented by Verizon). This short Canadian film is about:

A young boy living in a small prairie town during the early 1980s, befriends the only black kid at his school and soon discovers the prejudice that exists within his friends, his family and even in himself.

It’s got the most well-developed story of all the films I saw at DC Shorts. The characters seem real, all of them a mix of good and bad impulses. The short film captures the awkwardness of children dealing with adult issues of race and prejudice. Yet, it’s not an afterschool special, where the plot is driven by social points to be made. Instead, it’s a messy and funny look at kids trying to be kids. While they’re trapped in a rigid world that they didn’t create, they just want to dance and hangout.

Funky Prairie Boy
Funky Prairie Boy

Continue reading “Funky Prairie Boy – My Favorite Film of DC Shorts”

Behind the Scenes at a Screenplay Reading

Now in it’s sixth year, DC Shorts has been named by MovieMaker Magazine as “one of the nation’s leading short film festivals.” The festival features 100 films from across the country and around the world. What’s unique about DC Shorts is its focus on the filmmaker, many of whom will be in attendance this year.

I’ve been involved in DC Shorts almost since the beginning. I volunteered with Jon Gann, founder of the festival, and  was a film judge for a couple years. Me and other volunteers watched and rated the hundreds of submissions that came in. We used a clever online system to do so. One key trait about DC Shorts is how professional and well organized it is, from top to bottom. Continue reading “Behind the Scenes at a Screenplay Reading”

Eurabia is Writers on the Storm Quarterfinalist

I learned recently that my screenplay Eurabia is a Quarterfinalist in the Writers On The Storm Screenplay Competition. Out of more than 1300 scripts submitted, Eurabia finished in the top 10%. This competition was sponsored by Coverage, Ink., one of the premier script analysis services in the industry and the leader in low-cost, high-quality screenplay analysis. It was founded in 2002 by screenwriter and Creative Screenwriting magazine columnist Jim Cirile.

My screenplay Eurabia is set in the near future. In this dystopian story, America has lost the war on terror and Europe is controlled by radical Islam. However, the CIA has a secret plan to change the course of history…

Read the first ten pages online.

Crowdsourced Film Festivals

Maybe because I’ve been reading Wikinomics, but the idea of a crowdsourced film festival really seems like a good one.

I’ve been a judge for the DC Shorts Film Festival.  Am I more of an expert than you are on short film? Possibly.  Am I more knowledgeable and astute than a vast crowd of film buffs?  No, of course not. When it comes to judging short films, festivals are limited by the number of judges that can be recruited who will actually show up to watch and review films on cold weeknights when you’d much rather stay at home and watch American Idol than sit through some 17-minute long experimental work on the depressing urban landscapes of Flint, Michigan.

So, I say, the more the merrier. I think people who will bother to go to a site, watch the films and then judge them will be pretty fair. They’ll also be motivated to go to the festival. After all, they helped program it! This is a great way of getting more attendees by making people feel a sense of ownership for their local festival.