I’ve met Tim Tate, the noted Washington glass artist, a couple of times. One of his glass sculptures, a really cool rocket, was stolen from Artomatic and held for ransom. It was only returned after a dramatic midnight exchange – Monopoly money for art. An individual named “The Collector” took credit for the theft. His aim was to increase this city’s appreciation of its art and artists.
This was a brilliant PR stunt, one that was expertly pulled off by “The Collector” or by Tate himself. It garnered both of them a story on the front page of Style in The Washington Post.
Did Tate set this up? Anyone who has met him would argue that he was certainly capable of such a masterstroke. After all, he’s a man who once had 99 films made about himself, including one that I wrote. But whoever did this crime is a marketing genius who should be applauded for bringing excitement and intrigue to the world of art in DC.
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