Then get Behind the Screens, the new book by Jon Gann that uncovers what film festival programmers really think. Gann, the founder of the DC Shorts Film Festival, has interviewed the directors of top festivals from around the country, including:
• Ashland Independent Film Festival
• Byron Bay International Film Festival
• CineSlam/Pride of the Ocean
• DC Shorts Film Festival
• LA Comedy Shorts Film Festival
• Napa Valley Film Festival
• New York Film Festival
• Prescott Film Festival
• Razor Reel Fantastic Film Festival
• Scottsdale Film Festival
• Seattle International Film Festival
• Sonoma International Film Festival
• Sundance Film Festival
• Tallgrass Film Festival
• Washington Jewish Film Festival
Every film festival is different. Rather than blindly submitting your film to every festival you’ve ever heard of (and paying hundreds in submission fees), spend $20 to get this book. Do some research and target the right festival for your film. Behind the Screens reveals what programmers are really looking for, in their own words.
Full disclosure – I’m a friend of Jon’s and have been a judge for DC Shorts for years. DC Shorts is unique in that anyone can volunteer to be a judge. The films selected reflect an urban sensibility and a preference for comedy. A lengthy documentary on deforestation wouldn’t be a good choice for DC Shorts while a “meet-cute” flick set in Dupont Circle would be ideal.
Other festivals have their own unique attributes, shaped by the festival director and the audience. They have their own culture. Which is why it makes sense to get a book like Behind the Screens, where you get narrative information beyond what you will find in a directory of film festivals.