I wrote a short article for the Pink Line Project (a local arts blog) on survival tips for the Capital Fringe Festival. In short: dress comfortably, bring water, expect nudity.
writer, photographer, web person from Washington, DC.
I wrote a short article for the Pink Line Project (a local arts blog) on survival tips for the Capital Fringe Festival. In short: dress comfortably, bring water, expect nudity.
I can’t believe it’s been a year since the last Fringe Festival. Walking up to Fort Fringe on New York Avenue, everything looked exactly the same – the big white tent, picnic tables, a DJ playing tunes, performers hyping their shows. Only the bar selection had changed (they now have prosecco on tap).
The Capital Fringe Festival runs from July 7-24. It’s an opportunity to see crazy performances in intimate spaces, some of which include nudity and/or puppets. The bar aka Fort Fringe offers a front-row seat to this bohemian spectacle.
I was an official photographer for last year’s festival – here are my favorite pics to give you a sense of what you’re in for. And here are the shows that won in 2010 – many of these performers have new shows for this year.
I had the privilege to work with Janice Hall Booth. She’s a very inspiring woman who wrote a great book, Only Pack What You Can Carry. It’s like Eat, Pray, Love but is about someone who actually went out into the world and did something 😉 Her message is that you can find your personal mission through solo travel.
Janice has been a whitewater rafter, a photographer, a nonprofit executive and an avid adventurer, always willing to push the limits of what’s possible.
But perhaps her most challenging adventure was getting a book published! She’s been blogging about this and has now put the publishing story together in a handy PDF. Find out how she was discovered and what it was like working with National Geographic. It’s a warts and all look at the publishing world, told with her trademark honesty.
And I make a brief cameo at the end, as Janice’s new media coach. While I gave her checklists to follow and guides to blogging, my advice was really simple – use the tools that you’re most comfortable with to tell your fascinating story.
On Monday night, I attended a panel discussion by local photographers at vitaminwater uncapped live, a popup arts/dance/music party in DC.
Inspired by the stories of how these photogs got started, I wrote an article for the Pink Line Project on the talk. The photographers on the panel, who work for sites such as Brightest Young Things, DCist, Washingtonian and the Washington Post, all transitioned from amateurs to professionals. They did this not through traditional education but by following their passions. What started out as a hobby for them – taking pictures of things they loved – eventually became careers.
Everyone writes. In this digital age, we’re creating more words than ever. Whether it’s an email to a client, a persuasive blog post or the Great American E-Book, the ability to explain yourself in writing is the critical skill of the Internet era.
Despite this profusion of words, people often encounter writer’s block when attempting large or significant projects. They can fire off tweets and snarky Facebook comments all day long but their fingers stall when it comes to crafting something that really matters.
After I wrote my novel Murder in Ocean Hall, the question I got most was, “How?”
How did I muster up the patience to devote so much time to a single idea? How did I keep at it? How did I overcome the inertia of writer’s block to get started?
Writer’s block happens to everyone. But it can be overcome. Continue reading “Overcoming Writer’s Block”
It’s hard to imagine but booze was once outlawed in DC. The Prohibition era is the subject of a fascinating new book by local author Garret Peck.
He’s an excellent speaker with an encyclopedic knowledge of the city. I wrote an article for the Pink Line Project about his book talk, where he shared what life was like when Washington was “dry.”
Recently, I had the opportunity to be a judge for the American University VISIONS Short Screenplay Competition.
As an AU grad myself, I was glad to help out. VISIONS is an annual competition that seeks the best in documentary, fiction, digital/new media production, screenwriting and photography from AU students and recent alumni. The theme for this year was, “Media That Matters.”
Joining me in the judging the short screenplay portion of VISIONS were Jon Gann (DC Shorts) and Sheri Ratick Stroud (Women in Film and Video). We read more than 30 scripts, ranging in length from ten to 40 pages. Every script was reviewed by all three of us. We judged the scripts on the following criteria:
We selected Liberty Road by Jason Fraley as the winner. Set at a crab shack on the Eastern Shore, it’s a timely story about people on the margins of life. With its depiction of the economic struggles of ordinary folks, it fit in well with the “media that matters” theme. I liked the strong characterization in the script – these were real people – as well as the dialogue, which was punchy and original.
I was glad to give back to my alma mater, as well as help out the “AU mafia” of filmmakers, several of whom have been finalists in DC Shorts. It makes this International Relations major happy to see AU students doing something fun and creative.
The Great Recession has changed the lives of millions. Jobs have been lost, people have been kicked out of their homes, retirement nest eggs have disappeared. Worse than the economic damage, however, has been the loss of hope in the future. Optimism has been replaced by worry and fear.
Which is what my short story, Cheating at Golf, is all about. Published in Story Bleed Magazine, an online literary journal, this is a dark tale set in sunny Florida. In it, an escape to a golf course brings no relief to a man’s troubles.
There’s something really sweet and joyful about people dancing outdoors to old-time swing music. This Dupont Circle dance craze was part of an organized event put on by the Washington DC Lindy Exchange. Also check out this video from the day.