Sneak Peek: Man with a Bolex Movie Camera

Check out my article on Man with a Bolex Movie Camera. This short film was recently accepted into the Cinekink Film Festival. It’s a local production, written and directed by students from American University’s MFA film program. I went to AU as an undergrad so I was glad to write about this production for the Pink Line Project, where I contribute articles about the DC filmmaking scene.

I first encountered Man with a Bolex Movie Camera when it was a script. It had been submitted to the DC Shorts Screenplay Competition. I was one of the judges and we selected the script as a finalist. Local actors performed this funny and sexy story in a theater in the round setting on a rainy night in October 2009.

While the script didn’t win the competition (Annie Coburn, another AU student did), writer Colin Foster benefited from the experience. Based upon hearing the response from the audience, he shortened the script and tightened it up a bit.

Continue reading “Sneak Peek: Man with a Bolex Movie Camera”

The Movie That Gets Washington: Broadcast News

broadcast newsThe Washington Post recently had an article about DC in the movies, highlighting director James L. Brooks for really getting Washington. From All the President’s Men to his latest, How Do You Know?, he displays an excellent understanding of the culture of the city.

We’re not like Chicago or LA or New York. The people here are different, with their own unique challenges and motivations. New Yorkers may think that, just like there are no good bagels in DC, there’s no real “there” in Washington. It’s a transient city, with no realness about it. (Or, as a friend of mine from NYC once said, there’s no “bounty” to it.)

There’s a grain of truth to that assessment – it is a transient city, drawing in and expelling different political classes with each election. But most DC residents don’t work on Capitol Hill. They somehow manage to function without being part of the political class. Continue reading “The Movie That Gets Washington: Broadcast News”

Gift Ideas for Aspiring Filmmakers

Check out my Pink Line Project article on gift ideas for aspiring filmmakers, including membership in local organizations, such as Women in Film and Video and Arlington Independent Media. Making a short film doesn’t need to be expensive and DC is filled with filmmakers willing to help out.

One thing I’ve learned as a judge for DC Shorts over the years is that there are plenty of good technical people. They can get the sound right and light a scene correctly. And every city, it seems, contains talented actors who can make your script sing.

The hard part is getting the story right, in making sure that you have a script with a beginning, middle and an end. Something with an identifiable protagonist and stakes that really matter. My article concentrates on the storytelling part of filmmaking. It’s easy to pick up a camera but much harder to tell a good story.

DC Shorts Screenplay Competition Summary

screenplay reading
A table read at the DC Shorts Screenplay Competition.

The comedy Interview Date won the DC Shorts Screenplay Competition. This was a funny script, with some great lines highlighting the similarities between looking for a job and finding love. It was performed with five other scripts on October 16, part of the ScriptDC screenwriting weekend. The audience at the reading voted for their favorite and selected Interview Date, as a I wrote for the Pink Line Project.

I’m glad that they won. The writers, Grant Lyon and Mike Lemcke, are really nice guys from San Francisco. Grant is a stand-up comic, which was really evident from the script and how they performed it. Continue reading “DC Shorts Screenplay Competition Summary”

Learn to Write a Screenplay at ScriptDC

screenplay sample

Tired of the same old Hollywood formula? The treacly love stories, the gross-out horror flicks, the not really funny bromances? Think that you can do something better?

Now’s your chance to learn how to write a screenplay at ScriptDC. This three day event takes place downtown on October 15-17. It’s sponsored by local filmmaking organizations, including the DC Film Alliance and Women in Film and Video. ScriptDC features a full slate of speakers and events designed for aspiring filmmakers.

The highlights include:

  • A Friday night film screening and speaker.
  • A full day of speakers on Saturday, including Ed Burns (The Wire), Claudia Myers (Kettle of Fish), Mike Million (Tenure), Kelley Baker (The Angry Filmmaker), Jon Gann (DC Shorts) and Megan Holley (Sunshine Cleaning).
  • The finals of the DC Shorts Screenwriting Competition, where you can pick the winner of this live screenplay reading featuring local actors.
  • Sunday morning pitch sessions, where you’ll have a chance to sell your screenplay idea to producers.
  • Script critique sessions where the first five pages of your script will be evaluated.

ScriptDC is the largest conference of its kind in the mid-Atlantic. What’s unique about it is its broad approach. Not only can you learn about how to write a screenplay, you can see scripts acted out live, and meet producers and filmmakers who have been successful.

I’m going to be at the screenplay reading on Saturday night – I was a judge for the contest, helping to select the finalists. Looking forward to seeing the scripts read live.

Use discount code DCSHORTS when registering for Script DC and save $75 on registration! http://scriptdc.com

DC Shorts Mini-Review: Corner Plot

For anyone who lives in the sprawling metropolis of Washington, Corner Plot is a fascinating documentary.  Would you believe that someone owns a one-acre farm in the middle of Silver Spring? Charlie Koiner does. He’s 89-years-old and produces a cornucopia of produce from his tiny plot of land, just blocks from the Metro.

Corner Plot is a really effective short work because the filmmakers paid attention to the story of Koiner, showing how farming has kept him young and engaged with the community. More strident documentarians would’ve taken the occasion to lecture the audience on environmental themes but Ian Cook and Andrew Dahlman are smart enough to let their subject do most of the talking. They allow they audience to come to the conclusion that local farms are critical to community life, vital to people like Koiner and the people of Silver Spring.

Corner Plot won for Outstanding Local Film at the DC Shorts Film Festival. You can see it for free on September 23 at Little Miss Whiskey’s. Look for more screenings throughout the year.

DC Shorts Mini-Review: Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual)

Superhero movies have been done to death.

However, superhero imaginary friends – that’s not been explored before and is the subject of Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual). This Spanish film won the Audience Choice Award at the DC Shorts Film Festival.

I was at the DC premiere for this hilarious short film. From the opening scene, the audience was howling. The movie begins with a conference of imaginary friends, all of whom have been rejected by the children that once loved them. One man – Captain Kiloton – has managed to remain the imaginary friend of man for more than twenty years. He explains how he’s been successful to a motley assemblage of rejectees, a motivational speaker for the imaginary friend set.

Back in the real world, 27-year-old Fernando is being pulled away from Captain Kiloton by a new love interest. Can he grow up and keep Kiloton? This dilemma is neatly (and sweetly) wrapped up in this very funny mockumentary.

DC Shorts Mini-Review: Touch

A scene from Touch

Here’s another mini-review of one of the many great films that were a part of the DC Shorts Film Festival.

Despite our affluence, Americans suffer from record levels of depression. People feel disconnected from life, even in the midst of busy urban environments.

What’s missing? Jen McGowan examines this problem in her film, Touch. It’s a simple setup – two women on a train platform. Lily Knight’s performance in this short is amazing. The camera is close on her face for nearly the entire film and she communicates incredible suffering, nearly wordlessly.

We never learn why she is in pain. But, following a chance encounter with a stranger, we discover what she has come to the train platform to do.

In the Q&A session following the screening of Touch, director McGowan explained that finding her lead actor was the hardest part in making this movie. She looked for months until she saw Knight, who had a bit part in another film.

Touch is a beautiful short that demonstrates the power a simple act of kindness can have on someone’s life.

DC Shorts Mini-Review: Enter the Beard

By no means did I see all 97 films at the DC Shorts Film Festival. But I saw a lot and got to meet to some of the filmmakers as well.

I’ll be posting “mini-reviews” of what I liked, from what I saw.

One of my favorite films was Enter the Beard. Audiences enjoyed it too – this documentary won Filmmaker’s Favorite and Audience Choice awards.

Enter the Beard is a very funny look at an odd American subculture – men who grow elaborate and enormous beards and then compete against other men in the World Beard and Mustache Championships. (One of the few women in the film pointed out how odd it was that men would groom themselves and then walk down catwalks, like hirsute supermodels.)

It would be easy to just present these men and their oversized facial hair as freaks yet the documentary is empathetic and amusing. Much of this humor comes from Charles Parker Newton, our guide to this world of beards and mustaches. He’s engaging and funny, with the charisma of a cult leader.

I talked to him for a bit at DC Shorts, outlining my inability to grow the Grizzly Adams beard of my dreams. He faulted my lack of commitment and, with a roaring speech, convinced me that I should spend the next six months growing a kickass beard. It made sense at the time.

After all, what’s more American than following your dream? Even if your dream involves doing nothing, of just deciding not to shave anymore.

ENTER THE BEARD, THE TEASER from Matt Lawrence on Vimeo.

DC Shorts: Showcase 1 – My Review

Jenn Harris, Matthew Wilkas in Gayby
Jenn Harris, Matthew Wilkas in Gayby

I attended Showcase 1 of the DC Shorts Film Festival last night. For the festival, the films are divided into nine different showcases, including a ribald late-night collection of shorts as well as a family-appropriate slate. Each showcase contains around ten short films.

Here’s my take on the films in Showcase 1:

Sunday Punch – It’s a film noir that’s a little predictable but sexy and gorgeously shot.

Shovel Ready – A darkly comic 48 Hour Film about getting rid of the troublesome people in your life.

Prayers for Peace – Heartbreaking, beautiful and personal. Probably the film I’ll remember most.

Somewhere Never Traveled – One of those mysterious films that you’re entranced by, but don’t know what’s going on – like something by Sofia Coppola.

Hipster Job – A retelling of the story of Job, but with hipsters. Deliberately crude and stupid.

Quartering Act – A WWII drama that’s a little too long. Tries to get the historical details right but feels awfully American for a story set in France.

Just About Famous – A wry, funny and sympathetic look at the bizarre world of celebrity impersonators.

El Cortejo (The Cortege) – A Spanish film about finding love in the most unlikely of places.

Banana Bread – Hyper-violent and you can see the punchline coming from a mile away.

Gayby – My favorite. It’s like a modern Woody Allen movie, with a neurotic woman who wants to make a baby the old-fashioned way with her gay best friend.

They’re all interesting and entertaining films. See Showcase 1:

Saturday, September 11 @ 9:00pm @ U.S. Navy Memorial Heritage Center
(followed by a Q&A with the filmmakers)
Sunday, September 12 @ 1:00pm @ Landmark’s E Street Cinema
Tuesday, September 14 @ 9:00pm @ Landmark’s E Street Cinema