Joe Flood

Learn to Write a Screenplay at ScriptDC

Tired of the same old Hollywood formula? The treacly love stories, the gross-out horror flicks, the not really funny bromances? Think that you can do something better?

Now’s your chance to learn how to write a screenplay at ScriptDC. This three day event takes place downtown on October 15-17. It’s sponsored by local filmmaking organizations, including the DC Film Alliance and Women in Film and Video. ScriptDC features a full slate of speakers and events designed for aspiring filmmakers.

The highlights include:

A Friday night film screening and speaker.
A full day of speakers on Saturday, including Ed Burns (The Wire), Claudia Myers (Kettle of Fish), Mike Million (Tenure), Kelley Baker (The Angry Filmmaker), Jon Gann (DC Shorts) and Megan Holley (Sunshine Cleaning).
The finals of the DC Shorts Screenwriting Competition, where you can pick the winner of this live screenplay reading featuring local actors.
Sunday morning pitch sessions, where you’ll have a chance to sell your screenplay idea to producers.
Script critique sessions where the first five pages of your script will be evaluated.

ScriptDC is the largest conference of its kind in the mid-Atlantic. What’s unique about it is its broad approach. Not only can you learn about how to write a screenplay, you can see scripts acted out live, and meet producers and filmmakers who have been successful.

I’m going to be at the screenplay reading on Saturday night – I was a judge for the contest, helping to select the finalists. Looking forward to seeing the scripts read live.

Use discount code DCSHORTS when registering for Script DC and save $75 on registration! http://scriptdc.com

In Praise of Mario Vargas Llosa

The Peruvian novelist Mario Vargas Llosa was awarded the the 2010 Nobel Prize in Literature. It’s a brilliant choice. Unlike some of the Nobel committee’s more dubious awards, Vargas Llosa is a storyteller with an important message to share. Moreover, he is not some stuffy academic – he’s been actively engaged in the world, a voice for moderation in fanatical times.

And most importantly, his books are a joy to read. He’s frequently compared to another South American, Gabriel Garcia Marquez, who won the Nobel Prize in 1982. Both writers are part of the Latin American Boom. While many American writers retreated into the minimalism of Raymond Carver, the Boom authors wrote sprawling, worldly, intensely entertaining works that hovered on the edge of reality. The multi-generational saga of the doomed Buendias in One Hundred Years of Solitude is an excellent example of Boom fiction.

Two great books show the incredibly range of Vargas Llosa.

Aunt Julia and the Script Writer is a deranged masterpiece, a comic coming of age story about young Mario, who has fallen in love with his sexy aunt. Interleaved with this story are the tales of a Bolivian script writer, who has enthralled Lima with his radio soap operas. The book grows progressively more absurd and surreal, as the comic inventions of the script writer lead to real-world chaos.

A reviewer on Amazon referred to The War of the End of the World as “Macondo meets Jonestown”. That’s an apt description of this epic novel, based upon real events. Set in Brazil in the 19th century, the book is centered on Canudos, a religious cult that essentially secedes from the rest of the country. It becomes a safe haven from oppression, until the army decides to wipe them out.

What makes Vargas Llosa’s work so appealing to me is his concern for individuals, not mass movements. He’s been an a foe of dictators, whether they be Fidel Castro or Alberto Fujimori (who he ran against in 1990). Suspicious of ideology, he was lauded by the Nobel committee for:

“his cartography of structures of power and his trenchant images of the individual’s resistance, revolt, and defeat”.

Vargas Llosa demonstrates that writers can do more than just tell stories – they can influence their times by actively participating in society.

Would Self-Publishing Have Saved John Kennedy Toole?

A Confederacy of Dunces is one of my favorite books. In this picaresque novel, John Kennedy Toole creates a vivid and hilarious world, the French Quarter of the 1960s, and populates it with unforgettable characters and fantastic scenes. His protagonist is Ignatius J. Reilly, perhaps the first slacker in American literature. He disdains work and the modern world, longing for the Middle Ages when his genius would be appreciated.

I read A Confederacy of Dunces in college and loved it from the very first pages. It’s a broad comedy, expertly told by someone who clearly knows every inch of his beloved New Orleans. Moreover, Toole was familiar with the slang and patois of the city’s residents. He portrays them as corrupt, flawed, confused – but always well-meaning, in their own way. Continue reading “Would Self-Publishing Have Saved John Kennedy Toole?”

Elements of Publicity Workshop

Last night, I attended the Elements of Publicity Workshop put on by Amanda Miller Littlejohn and Jacqueline Lara of Mopwater PR. These two charming and knowledgeable ladies covered a lot of ground in just a two-hour session:

How to develop your message
How to create a “news hook” for your story
How to pitch to local, national and social media.

What I liked about the workshop was that Amanda and Jacqueline have a lot of practical experience in real-world PR. Their talk was spiced with useful examples and anecdotes from their work. They didn’t just tell you how to pitch a story to a reporter, they shared what should be in the email subject line and the best time to make a follow-up phone call.

This is a good workshop for people who don’t want theory but want to know tactics – the practical steps they can take to get media coverage for their product or cause. Want to know what should be in a press kit? Should a backgrounder be in print or electronic format? Should you do a social media release? How do you deal with a TV producer? All of this was covered in the workshop.

Workshop attendees consisted of small business owners, entrepreneurs and managers of small nonprofits – exactly the type of people who will do PR themselves, lacking the budget to hire a firm. The workshop was a really good fit for their needs and Amanda and Jacqueline tailored the class toward them. It was a very interactive session, with lots of Q&A and idea-sharing.

As someone who’s promoting his own book (Murder in Ocean Hall), I left with a lot of useful ideas to pursue, including things I had never thought of before (people still listen to radio?).

Elements of Publicity is just one of a series of low-cost workshops that Mopwater PR is teaching on blogging, social media and publicity.

DC Shorts Mini-Review: Corner Plot

For anyone who lives in the sprawling metropolis of Washington, Corner Plot is a fascinating documentary. Would you believe that someone owns a one-acre farm in the middle of Silver Spring? Charlie Koiner does. He’s 89-years-old and produces a cornucopia of produce from his tiny plot of land, just blocks from the Metro.

Corner Plot is a really effective short work because the filmmakers paid attention to the story of Koiner, showing how farming has kept him young and engaged with the community. More strident documentarians would’ve taken the occasion to lecture the audience on environmental themes but Ian Cook and Andrew Dahlman are smart enough to let their subject do most of the talking. They allow they audience to come to the conclusion that local farms are critical to community life, vital to people like Koiner and the people of Silver Spring.

Corner Plot won for Outstanding Local Film at the DC Shorts Film Festival. You can see it for free on September 23 at Little Miss Whiskey’s. Look for more screenings throughout the year.

DC Shorts Mini-Review: Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual)

Superhero movies have been done to death.

However, superhero imaginary friends – that’s not been explored before and is the subject of Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual). This Spanish film won the Audience Choice Award at the DC Shorts Film Festival.

I was at the DC premiere for this hilarious short film. From the opening scene, the audience was howling. The movie begins with a conference of imaginary friends, all of whom have been rejected by the children that once loved them. One man – Captain Kiloton – has managed to remain the imaginary friend of man for more than twenty years. He explains how he’s been successful to a motley assemblage of rejectees, a motivational speaker for the imaginary friend set.

Back in the real world, 27-year-old Fernando is being pulled away from Captain Kiloton by a new love interest. Can he grow up and keep Kiloton? This dilemma is neatly (and sweetly) wrapped up in this very funny mockumentary.

DC Shorts Mini-Review: Touch

A scene from Touch

Here’s another mini-review of one of the many great films that were a part of the DC Shorts Film Festival.

Despite our affluence, Americans suffer from record levels of depression. People feel disconnected from life, even in the midst of busy urban environments.

What’s missing? Jen McGowan examines this problem in her film, Touch. It’s a simple setup – two women on a train platform. Lily Knight’s performance in this short is amazing. The camera is close on her face for nearly the entire film and she communicates incredible suffering, nearly wordlessly.

We never learn why she is in pain. But, following a chance encounter with a stranger, we discover what she has come to the train platform to do.

In the Q&A session following the screening of Touch, director McGowan explained that finding her lead actor was the hardest part in making this movie. She looked for months until she saw Knight, who had a bit part in another film.

Touch is a beautiful short that demonstrates the power a simple act of kindness can have on someone’s life.

DC Shorts Mini-Review: Enter the Beard

By no means did I see all 97 films at the DC Shorts Film Festival. But I saw a lot and got to meet to some of the filmmakers as well.

I’ll be posting “mini-reviews” of what I liked, from what I saw.

One of my favorite films was Enter the Beard. Audiences enjoyed it too – this documentary won Filmmaker’s Favorite and Audience Choice awards.

Enter the Beard is a very funny look at an odd American subculture – men who grow elaborate and enormous beards and then compete against other men in the World Beard and Mustache Championships. (One of the few women in the film pointed out how odd it was that men would groom themselves and then walk down catwalks, like hirsute supermodels.)

It would be easy to just present these men and their oversized facial hair as freaks yet the documentary is empathetic and amusing. Much of this humor comes from Charles Parker Newton, our guide to this world of beards and mustaches. He’s engaging and funny, with the charisma of a cult leader.

I talked to him for a bit at DC Shorts, outlining my inability to grow the Grizzly Adams beard of my dreams. He faulted my lack of commitment and, with a roaring speech, convinced me that I should spend the next six months growing a kickass beard. It made sense at the time.

After all, what’s more American than following your dream? Even if your dream involves doing nothing, of just deciding not to shave anymore.

ENTER THE BEARD, THE TEASER from Matt Lawrence on Vimeo.

DC Shorts: Showcase 1 – My Review

I attended Showcase 1 of the DC Shorts Film Festival last night. For the festival, the films are divided into nine different showcases, including a ribald late-night collection of shorts as well as a family-appropriate slate. Each showcase contains around ten short films.

Here’s my take on the films in Showcase 1:

Sunday Punch – It’s a film noir that’s a little predictable but sexy and gorgeously shot.

Shovel Ready – A darkly comic 48 Hour Film about getting rid of the troublesome people in your life.

Prayers for Peace – Heartbreaking, beautiful and personal. Probably the film I’ll remember most.

Somewhere Never Traveled – One of those mysterious films that you’re entranced by, but don’t know what’s going on – like something by Sofia Coppola.

Hipster Job – A retelling of the story of Job, but with hipsters. Deliberately crude and stupid.

Quartering Act – A WWII drama that’s a little too long. Tries to get the historical details right but feels awfully American for a story set in France.

Just About Famous – A wry, funny and sympathetic look at the bizarre world of celebrity impersonators.

El Cortejo (The Cortege) – A Spanish film about finding love in the most unlikely of places.

Banana Bread – Hyper-violent and you can see the punchline coming from a mile away.

Gayby – My favorite. It’s like a modern Woody Allen movie, with a neurotic woman who wants to make a baby the old-fashioned way with her gay best friend.

They’re all interesting and entertaining films. See Showcase 1:

Saturday, September 11 @ 9:00pm @ U.S. Navy Memorial Heritage Center
(followed by a Q&A with the filmmakers)
Sunday, September 12 @ 1:00pm @ Landmark’s E Street Cinema
Tuesday, September 14 @ 9:00pm @ Landmark’s E Street Cinema

DC Shorts – My Picks

This year, I’ve been more involved with the DC Shorts Screenplay Competition (coming in October) than the actual film festival. Still, as an Executive Judge for the festival, I did get to see some of the films that were selected for inclusion in DC Shorts. I’m also familiar with a couple of the directors or heard about the buzz. So, these are my picks – the films that I am looking forward to seeing:

Expiration – Are you one of those people who doesn’t worry about expiration dates on food? You should.

Sunday Punch – The trailer is sexy and it looks beautifully shot.

L1feline – I’ve read scripts by the writer of this short, Anthony Greene, and really liked them – he’s got a great ear for how people really speak.

Snowpocalypse: Day 6 – A one-minute long film about the big DC snowstorm? I’m intrigued.

Bagged – Is this comedy about a woman who falls in love with a purse stereotypical or way too honest? There was a lot of discussion about this one among the judges.

Easy Made Hard – The script for this urban drama was a finalist in last year’s DC Shorts Screenplay Competition. I saw it read during the DC Shorts live screenplay reading. It’s riveting and I can’t wait to see the film.

Manual Practico del Amigo Imaginario (The Imaginary Friend Practical Manual) – A nearly twenty-minute long comedy from Spain about a 27 year-old and his imaginary friend. Unusual films like this are why I love DC Shorts.

Each of these shorts is part of a longer showcase of films – two hours worth of short films from around the world. You’re bound to find something you like.