As a member of the crew, I get to take three free day trips this summer courtesy of Enterprise. Anywhere within 100 miles of DC is within my domain. In return, I have to take photos and share them on social media. I’d do this all on the iPhone, of course.
For my first auto excursion, I went to beautiful downtown Frederick to have lunch with my talented photographer friend Mary-Kate McKenna.
Here are some pics from the trip:
Look for more adventures in carsharing coming this summer!
The war that ended peace was the war they said couldn’t happen. Europe had enjoyed a century of peace. Commerce between the nations was exploding thanks to new inventions and ways of doing business. Knit together by trade, communications and royal marriages, a war in Europe was unthinkable.
Moreover, the leaders of the European powers knew that a general war would lead to the end of their empires. Russia had barely survived its defeat by the Japanese in 1905. The Austro-Hungarian Empire was a seething cauldron of nationalities desiring freedom. Turkey was the sick man of Europe, with France and England eying its territory. The German Kaiser feared a revolt against his rule as much as he did the coming war, while the British felt necessary to fight to maintain their global empire.
In the years leading up to 1914, the Europeans had muddled through crisis after crisis, deftly avoiding a general conflagration. Yet, following the assassination of Archduke Franz Ferdinand, the continent slowly slid into the war that would consume them all.
This vital period is the subject of Margaret Macmillan’s The War That Ended Peace. She deftly examines the motivations of the Great Powers, as well as the men that led them. War was not inevitable, but the result of mistakes and miscalculations. Europe could have remained at peace, for there was a burgeoning anti-war movement in France and other countries, as well as the first stirrings of international labor. With her profiles of the people and nations of the period, she is careful not to assign blame, writing sympathetically from the perspective of the combatants, whose aims and beliefs were not that different from our own. This was a war in which everyone could claim to be acting in self-defense. Austria-Hungary went to war to punish the Serbs, Russia mobilized to protect Serbia, and Germany felt compelled to quickly defeat France before it would be overwhelmed by the Tsar’s troops.
One hundred years ago, the center of world civilization consumed itself in an unnecessary war. The War That Ended Peace should be required reading for today’s leaders, who glibly assure us that everything will remain as it’s always been. History has shown us the folly of this thinking.
Americans are in love with the Stone Age. They long for the nirvana of the Paleo era, when we ate nothing but free-range mammoths and were strong, healthy and free of neuroses. Chris Kresser claims that our health has declined since the Stone Age while doomster Jared Diamond has called agriculture “the worst mistake in human history.”
It’s the ultimate form of liberal guilt. Our civilization has ruined the land with freeways, processed food and vaccinations. And there’s far too many of us. Man is a plague on the earth, according to Sir David Attenborough.
If only we could go back to when we lived as hunter-gatherers and ate nothing but locally-sourced organic food.
You can. And it all takes is a trip to New Guinea.
In researching his book Savage Harvest, author Carl Hoffman spent months with the indigenous Asmat people of New Guinea in his quest to solve the mystery of the disappearance of Michael Rockefeller. When he vanished in 1961, Rockefeller was one of the wealthiest men in the world and was collecting primitive art for his new museum.
Hoffman told the fascinating story behind this mystery at Salon Contra, an arts salon sponsored by Philippa Hughes of the Pink Line Project. He spoke before an intimate audience of the culturally curious who sipped white wine and politely asked questions.
To understand what happened to Rockefeller, Hoffman realized he had to understand the Asmat people and their culture which, until recently, included head-hunting and cannibalism. Living in huts in a swamp, the Asmat subsist on the sago palm and small crabs. Hoffman said he didn’t see a green vegetable for months. (There’s some speculation that cannibalism is a necessity for hunter-gatherers who don’t get enough protein and fat.)
In the patriarchal Asmat culture, the women do all the work, traveling every morning to the sea to cast nets for crabs. Most children are unschooled. The men spend the day smoking, drumming and engaging in sex with each other. While nominally Catholic, they believe that spirits cause people to die and that the world must be balanced between the living and the dead. This need for vengeance to balance out the world has had tragic consequences – the Asmat live in two feuding villages separated by a no-man’s land.
But they are also known for their beautiful woodcarvings, which is what drew Rockefeller to the region in 1961. In Savage Harvest, author Hoffman retraces the steps of Rockefeller in an attempt to solve the decades-old mystery of his disappearance. It’s a true journey into the heart of darkness, conducted by a man who immersed himself inthe spiritual world of the Asmat.
Before you seek nirvana in the Stone Age, check out Savage Harvest. Read this fascinating mystery from the comfort of your air-conditioned home, with a glass of clean water at your side, protected from cannibals, and ponder the benefits of civilization.
There’s something about an old-fashioned paperback like One Hundred Years of Solitude that can’t be duplicated in this digital age. It’s not neat and clean like e-text. Paperbacks reveal themselves through use. Good books become worn and tattered as they’re passed from reader to reader. The better the book, the worse it looks.
This is my $3.95 copy of One Hundred Years of Solitude. It shows a couple decades of use. I read it in college, read it again when I had a job working in one-person library, packed it when I moved to Florida, packed it again when returned to DC, boxed it up a couple more times as I switched apartments in Washington, reread it some more and finally placed it on a shelf with much shinier books in better condition.
It’s a book that inspired me as a writer. And one that I won’t part with, no matter how shabby it gets.
Literary fiction gets a bad rap. It doesn’t have to be ponderous, inscrutable, unreadable. Literary fiction doesn’t have to mean some doorstop of a book that will be earnestly discussed in quiet voices on NPR, the kind of thousand-page novel that everyone buys and no one reads. Literary fiction can be more than just a marker of elite taste – literary fiction can be fun, inventive and playful. It can have a plot. It can be enjoyed.
Authors like Michael Chabon, TC Boyle and Gary Shteyngart demonstrate that you can write sophisticated fiction that’s loved by the public.
Kristopher Jansma shows how its done in The Unchangeable Spots of Leopards. This debut novel, now available in paperback, follows the worldwide travels of the ultimate unreliable narrator. It’s like ten books in one – a Southern coming of age story, an academic farce, a New York excursion and an expat’s tall tale – propelled forward by neatly contained chapters (which are like stories within stories). The Unchangeable Spots of Leopards is compulsively readable, filled with oddball characters, strange situations and sudden turns of fate, all told by a sort of Nick Carroway, looking on enviously at the Gatsbys all around him.
My only criticism: The Unchangeable Spots of Leopards switches scenes too quickly. Plot threads are picked up and dropped. Sometimes, you want to know more about that couple in Dubai. You want more – a good sign in a novel.
Ultimately, The Unchangeable Spots of Leopards is a book about stories, the ones that are true, and the ones we tell ourselves. “Tell all the truth, but tell it slant,” Emily Dickinson says, a mantra that runs throughout this novel. With their ability to tell it slant, novels contain truths that you won’t find in the newspaper.
The Unchangeable Spots of Leopards demonstrates the power of literary fiction to provide enlightenment through entertainment. Great storytelling is a kind of trick, an ancient one that we’re programmed to enjoy. Like listening to some stranger’s shaggy dog tale, we know that what we’re hearing is not technically true. But we have to know how it ends. Great literary fiction is like that, wrapping us up in an engaging story that tells it slant.
The little square photos that Instagram produces are cheesy and amateurish, like Polaroids sitting in an old shoebox. That’s the point – Instagram is a fun way to share pictures of daily life.
And now you can create short video clips in Instagram. It works the same as taking a picture except you the hold down the video camera button in the app. You can take 15 seconds worth of video, in one long clip or several smaller clips. Video stabilization is on automatically. Once you’re done, you can apply filters to give it that Super-8 look or just use it as is.
You can’t edit your clip. It’s pretty much point, shoot, share.
For photos, I shoot with the iPhone Camera app first and then import the ones I like into Instagram. You can’t do that with videos. You can only shoot clips using Instagram.
Without the ability to edit, and having to use the Instagram app, you have to plan out your video shoots. You only have one take to get it right.
I shot this at Gravelly Point, near Reagan National Airport in Washington, DC. I wanted to get a video of a plane of going over the bike trail as it came in to land.
In my first take, I ran out of film. I hit the video button when the jet turned toward National but it didn’t reach me before my 15 seconds were up. For the next shot, I waited until the airplane got closer and panned up as it went over my head – the video stabilization was impressive!
Instagram Video is not quite dummy-proof (it took me a couple tries to figure out) but it’s pretty damn close. While it has some major limitations (no way to edit), it’s the easiest way to share short video clips.
You can save your clips to Facebook, Twitter, Tumblr and even FourSquare but not Flickr or YouTube.
Mind-boggling to think how far iPhone video has come in just the last couple of years. In the old days – 2010 – you needed a video camera, a Mac and Final Cut Pro to make a movie. Your iPhone has replaced all those tools.
Britain in 1979 was the sick man of Europe. Militant trade unions controlled the country, overthrowing successive governments. General strikes made life miserable. Britons suffered through a “winter of discontent” with power cuts, transport strikes and trash piled up in the streets. Inflation as high as 21% wiped out the savings of people who had scrimped and saved their entire lives.
This is the context that’s been missing in discussions of Margaret Thatcher’s legacy, and one that’s provided by Always Right by Niall Ferguson. In this Kindle single, he shows how the benefit of hindsight has diminished our view of Thatcher’s achievements.
As Thatcher stated before taking the job of Prime Minister in 1979, “My job is to keep Britain from going red.”
This was a real danger. I did a study-abroad program in London in the mid-80s. As part of the class, we visited a Labour MP in Parliament. After he got done insulting us as spoiled rich kids, he shared his aim of imposing socialism across the country. Real socialism, not the Obama kind, but a political system where the government controls where you live, what you do and how much you make. The Soviet Union was held up as a model to emulate.
It’s hard to believe but millions of people shared this belief.
Thatcher was right, of course, and they were wrong. And the elite classes of England hate her for it, to this day. Despite being the most famous graduate of Oxford, the university never gave her an honorary degree. The middle-class grocer’s daughter is not one of us…
We’re fortunate to live in a better time. As bad as things are, it’s not 1979. Always Right is a look back, without the benefit of hindsight, at the parlous era and the Iron Lady who changed it.
Lauree Ostrofsky had a brain tumor. Twenty-nine years old and it seemed like her life was over before it had really begun.
This brush with mortality was a clarifying moment. She didn’t want a brain tumor – she wanted to be healthy. Sometimes we only discover our true wants in opposition to something else. For Lauree, she wanted to be healthy once again.
And she wanted so much more – she wanted to live a life where she was scared and doing it anyway. Lauree would meet her fears and go past them.
Three surgeries later, the tumor was gone. But the changes had just begun. This experience with death taught her the importance of a positive outlook on life and how much potential we have to affect change. Over the past decade, Lauree has been a speaker, author, PR strategist and life coach, as well as leading a hug tour.
She describes the journey in her new book, I’m Scared & Doing It Anyway. As she explained in the book launch at the Science Club, she wrote the book that she wanted to read after her tumor diagnosis. It’s a book for anyone going though a trying situation. Which, sooner or later, is just about everyone.
Beasts of the Southern Wild has been nominated for Best Picture! I had a chance to interview director Benh Zeitlin over the summer and write about the film for On Tap.
Beasts was a labor of love for Zeitlin – he spent two years editing it – and the film features non-actors in lead roles, like Quvenzhané Wallis, who was nominated for an Oscar for an Actress in a Leading Role. This brave little kid is the heart and soul of the movie, the eyes through which we experience the story.
Starring John Hawkes, Helen Hunt and William H. Macy, The Sessions is about Mark O’Brien, a paralyzed writer determined to lose his virginity at the age of 38. Hunt plays his sex surrogate. It’s a different kind of Hollywood film, in that it explores intimacy in sex rather than titillation.
But after watching the movie, I was much more interested in Mark O’Brien. A polio victim, he was paralyzed from the neck down and spent most of his life in an iron lung. Despite this, he was determined to be as independent as possible and found success as a journalist and poet. The fascinating story of his life is told in the documentary Breathing Lessons, which is free online and inspired The Sessions.