This is the new L St bike lane – also called a cycletrack, according to WABA. I took the photo with an iPhone 4, right around sunset, before editing it in the great new Flickr mobile app. I’ve come to love the Narwhal filter – it creates such an interesting, distressed kind of look, as if this print was just discovered in some antique chest of drawers.
Joe Konrath had a really important post on how to sell ebooks. This successful indie author made the point (among many other great ones) that it was important to experiment. In his words:
There isn’t a single thing I’m saying here that you should automatically believe. Don’t trust me, or any other so-called expert. Instead, try things out for yourself and draw your own conclusions.
Or to quote screenwriter William Goldman: “Nobody knows anything.”
That’s the case with art and marketing – you can’t predict what’s going to work. At best, you can try and try again.
I love my book Don’t Mess Up My Block. It’s a funny, cynical look at the way we work now. The people who have read it have liked it, especially if they have experience in the bureaucracies of Washington.
Yet, this novel is hidden far down the long tail of Amazon, unlikely to emerge from obscurity.
For my first novel, Murder in Ocean Hall, I had this great cover by Dave Newman. It’s a classic.
But this time, I’m experimenting. I was inspired by Seth Godin and the Domino Project, which has set out to revolutionize publishing. He’s rethinking everything the book world does, including covers. Why do you need a title and a name on a cover for an ebook? For example, here’s his book Poke the Box:
My second novel Don’t Mess Up My Block is a journey through the dysfunctional American workplace, from companies obsessed with the latest management fads to federal agencies unable to get anything done. What would make a good cover?
Fortunately, I had exactly the right picture, taken while I was at work one day. I was amused by the cheap stapler they had given me in my new job and just how beige and early 90s everything in the office was. I snapped this Instagram picture, thinking it perfectly captured the banality of the white-collar workplace.
So, that’s it. That’s the new cover of Don’t Mess Up My Block. It’s a funny and absurd cover for a funny and absurd book.
My novel Don’t Mess Up My Block has its first Amazon review! And it’s a good one:
As someone who spent many years dealing with consultants, federal contractors, and federal employees …. this book rings all too true. The people, places, and situations are much too familiar … for me, it was a non-fiction “day in the life” – or “you won’t believe the day I had”. Well done Joe! The author has captured life on the Beltway merry-go-round.
I know the reviewer and if anyone is an expert on the Beltway merry-go-round, it is he. Glad that my book rang so true with someone so attuned to the absurdities of life in Washington.
So, what are you waiting for? Don’t Mess Up My Block is just 99 cents on Kindle.
14th St is rapidly becoming lined with condos and apartments. Where once stood a KFC and other low-rent retail establishments, another new building rises.
Shot with an iPhone 4 and edited in the Flickr mobile app. The photo also appeared in PoP in a post on, appropriately enough, hating DC.
The DC Shorts Film Festival has a great new tagline:
DC Shorts champions short filmmaking.
Marketing taglines are a lot of times so much fluff, filled with words like “leveraging” and “cross-platform” and other tired buzzwords.
But “DC Shorts champions short filmmaking” really communicates what the festival is all about – it’s a celebration of short film and filmmakers.
And now the festival is trying something new: DC Mentors. Taught by film professionals and peers, these interactive sessions are designed to build upon one another, creating skills needed to better compete in the festival circuit. Over four weekends in DC you can learn how to write a script, find actors, shoot your film and then market it to film festivals – you can sign up for the whole program or just take individual classes. And at $160 for seven classes, it’s literally .01% the cost of film school.
And I’ll be one of the writer-mentors for the March 3 class on storytelling. I’m a writer who won the Film DC Screenplay Competition and has been a judge for DC Shorts and other local festivals. I like helping writers. There’s so much “fear to start” among new writers that can be overcome with a little bit of encouragement and practical advice. I can provide that.
Sign-up for DC Mentors and learn filmmaking over four weekends in spring.
Beyond the pomp and ceremony of the Presidential Inauguration, there’s a whole other city, a real city, where people work and live in a world far removed from the ideals and monuments of the Washington you see on TV. It’s a place where ordinary folks struggle to find good schools and survive in a rapidly-changing urban environment.
It’s the world of Murder in Ocean Hall. This mystery novel takes place in city neighborhoods like Dupont Circle and U Street. In this book, the world’s most famous oceanographer is murdered. It’s up to a cynical DC detective to solve the case. Along the way, we learn about the history of city and why it works – or doesn’t work.
A reviewer wrote:
Read this book if you think you’ve been to Washington, DC. The author, Joe Flood, will take you behind the scenes of places you’ve been and tell you how they function then give you insights into people in power and how they fail to function.
Think you know Washington? Uncover what the city is really like in Murder in Ocean Hall.
Beasts of the Southern Wild has been nominated for Best Picture! I had a chance to interview director Benh Zeitlin over the summer and write about the film for On Tap.
Beasts was a labor of love for Zeitlin – he spent two years editing it – and the film features non-actors in lead roles, like Quvenzhané Wallis, who was nominated for an Oscar for an Actress in a Leading Role. This brave little kid is the heart and soul of the movie, the eyes through which we experience the story.
Beasts of the Southern Wild is a crazy film and unlike anything else you’ll see all year.
The more interesting the work, the less it pays – that’s the rule I uncovered in 2012. It’s the reason why technical writers are paid well (you want to write a help guide for Sharepoint?) while film reviewers are paid poorly (you get to see movies!).
However, it was a great learning experience to meet so many creative folks. Truly inspiring to meet people who had written books, made movies and created web sites.
The highlight of the year was the work I did for On Tap, the free monthly entertainment magazine in DC. There’s still a special thrill to see your name in print that no digital facsimile can replace. I wrote about Lawless, Beasts of the Southern Wild, The Dark Knight Rises, V/H/S, Mansome and The Sessions. (more…)
I like wandering the city taking photos. I’m a chronicler, a recorder, pursuing the things I am interested in – city life, the arts, travel and strong horizontal lines.
And in 2012, I got to do so much of what I love – taking boozy Instagram shots of art gallery shows, capturing photos of bike culture and recording life in this city, from protests to performance art.
Here are my favorites from 2012.
iPhone Impressionism
It was the year of iPhone impressionism, where I used Instagram, Flickr, Slow Shutter and other apps to capture the city around me. When I take photos, I’m not looking for realism – I’m looking for symmetry and beauty in the urban environment. I’m showing an idealized Washington, a place of warm tones, strong lines and order.
Late in the year came the controversy over Instagram’s odious Terms of Service. That inspired me to check out the newly updated Flickr mobile app, which has great filters like Narwhal (seen below) and doesn’t shrink your pictures down to tiny squares.
My New Year’s Resolution is to use Flickr more and Instagram less.
Beasts of the Southern Wild is now on DVD!
One of the most unusual movies of 2012, this film is magical realism in the swamps of Louisiana. I had a chance to see a preview when it came out and interview director Benh Zeitlin – check out my article in On Tap. The movie was a labor of love for Zeitlin and the local folks who helped create this unique film.
Beasts of the Southern Wild is unlike any other film that came out last year. While it has an environmental theme, it does not hit you over the head with it like some graceless Al Gore production. It’s a story of family survival and holding onto your home – even if it’s a shack in the bayou.