Joe Flood

How can I be bored and anxious?

2020, hell year, manages to deliver two contradictory emotions at the same time.

I’m bored because I’ve lost my social life. All the meetups, happy hours and coffee with friends that I assumed would go on forever because why wouldn’t they? Trump couldn’t fuck things up so badly to impact my life, right?

Oh…

I live in a city because I like being busy. I like having things to do and see. A typical week might see me be social at:

• WordPressDC: I’d always learn something new at this monthly meetup (this blog runs WordPress) and there was free beer and pizza.
• Friday Coffee Club: Sometimes I’d drag myself out of bed on a Friday morning to wake up at Friday Coffee Club, a biking meetup at Swing’s. Scores of bikes would park out front at this shop near the White House.
• #BikeDC Happy Hour: If I missed FCC, I could go to this monthly happy hour for cyclists. Some of my fondest memories come from sitting inside with bike friends at Velo Cafe, a combination bike shop/cafe (which is sadly no more).
• Post-Soccer Coffee: I used to play soccer with people on Saturday mornings. Afterward, we’d stop at Fresh Baguette in Georgetown for croissants and to talk politics. Over coffee, my foreign friends would warn me that dictatorship could happen here too. I didn’t believe them.
• Bars: I was teleworking long before covid-19 forced America to adopt the work from home lifestyle. At the end of a day in front of a computer, I want to go out. I want to see and hear people (which is great research if you write books), even if it’s just having an Old Fashioned at McCllellan’s Retreat.

All of the above is gone or, at the very least, curtailed.

And, thanks to the internet, there’s a vast network of computers, fiber, and satellites to bring you anxiety-inducing news with just the press of a button.

My anxieties include:

• Covid, Covid, Covid: I worry about friends and family. I fret over the state of the country and what the pandemic is doing to the less fortunate. Since Trump has throttled the CDC, we’re left on our own to determine if ordinary activities are safe. If I go into this Starbucks, will I get covid?
• The Election: I doomscroll before dawn, my phone alight in the darkness, scrolling through Twitter, trying to figure out what the election result will be. The nation cannot afford another catastrophe like 2016.
• Post-Election: If the result is close, will there be riots in the streets? Will Trump send in his little green men and take power? If the unthinkable occurs, what do I do? Leave the country?

I count the days to the election. I savor the little moments, like having a beer with a friends, socially distant and outside. I run to my happy place in the woods of Rock Creek Park. I read books, like the excellent Station Eleven, and buy them locally from Kramers. I take action, like voting early and donating to the Democratic Party.

Boredom and anxiety. It’s a helluva combination. But when confronted with a problem like 2020, mere survival is enough.

My new book LIKES is a collection of short stories about social media. Dark and funny, they cover everything from Instagram husbands to the dangers of going viral.

Where did I get my ideas from? What was my inspiration? What’s real and what I did I invent?

These are stories behind the stories of LIKES.

Avocado Toast: Be careful if you’re friends with a writer. This first story in LIKES was inspired by a friend who I play soccer with. I would gently tease him about his love of avocado toast. He would talk eloquently of good bread. The first half of the story is largely true, the second half is invented. Sometimes your paranoia is justified.

King of the Mountain: While I love Strava, the fitness tracking app, the competitive nature of it rubs me the wrong way – perhaps because I’m so slow on laps around Hains Point.

Hotel Mondo: I have been an Instagram influencer and have received free trips, in exchange for social media promotion. I’ve been glad to do so but wonder about what’s being exchanged.

The Chicken Salesman: I served on a mock jury for a case that was very similar to this one. While I was outraged at the treatment the defendant had received, he was undeniably guilty. It was all on paper. I had sympathy for this man who had been kidnapped and held in a US jail so far from home.

AnimalFarm: The idea of people spending their time building a virtual farm always struck me as absurd. Also absurd is the reality of poorly paid coders working for millionaires in electronic sweatshops.

The Influencers: Social media is about vanity. Everyone wants to be popular – even Mexican revolutionaries. I set the story in Tulum, a place I had a chance to visit years ago.

Typhoid Margie: Trump voters were not duped. They are complicit.

Twitter Famous: This is my favorite story in LIKES, because it’s set in Florida (where my family lives) and sums up all my conflicted attitudes toward social media fame. I had a photo go viral, an overwhelming and not entirely pleasant experience. That moment and stories about online public humiliation were the genesis of this tale.

The Dark Web: A relative told me that it was useful to have a gun in Phoenix.  That got me wondering: why would you need a gun in Phoenix?

Instagram Husband: I just wanted a story called Instagram Husband because I thought the title was hilarious. And I may have been reading too much Isabel Allende (her new book is great).

Applicant Tracking System: As anyone who has looked for a job in the last decade can attest, the HR system is broken. There was also a twitter storm in DC about a guy who scheduled dates back to back like in this story. And it’s set in one of my favorite bars, McCllellan’s Retreat.

The Source Code: Wouldn’t it be ironic if the one person who understood the dark power of social media was considered crazy?

Likes: For my final tale, I wanted to go back to the beginning of this online trap, which was constructed by computer scientists with the best of intentions.

Write what you know. Or read about it. Or see. If you’re a writer, any moment can be inspiration.

These are the stories behind the stories of LIKES.

 

Seeing a plane in the sky, I feared the worst.

My apartment looks south toward downtown Washington, DC. It’s a no-fly zone. When I look out my window and see a plane in this corner of the sky, it’s always a bit alarming.

The last time it happened was on June 1, the day that Trump unleashed his forces to brutalize protesters for a photo op. Paramilitaries cleared Lafayette Park so he could pose with a Bible.

And then the helicopters arrived. Through my window, I watched as Blackhawks thundered low across the city, packed with soldiers, in a deliberate attempt to intimidate this very Democratic city.

This went on all night long, my window rattling from low-flying military aircraft, like I was living in Fallujah. The next day, walls went up around the White House.

One month later, on July 4th, a plane popped up in my window, banking over the no-fly zone downtown. With my window open, I could hear the chants of demonstrators from a block away, “Black Lives Matter.”

And, in the sky, an airplane where no airplane should be. It was circling. I assumed it was there to spy on demonstrators or attack them.

This aircraft did not drop bombs. Instead, out tumbled parachutists. The Golden Knights of the U.S. Army.

230,000 dead from coronavirus but we get a man in a parachute holding an American flag drifting out of the sky.

This was the beginning of a military air show, ordered by Donald Trump. The pageant of power scrolled across my window from right to left. I saw classic planes, like a B-29, the plane that dropped atomic bombs on Japan. Then came a B-52, roaring like a freight train. F-16 fighters rocketed overhead. A stealth bomber silently slid over the apartment buildings of my Logan Circle neighborhood.

Your perception of the US military changes after it’s used to intimidate you. Cool airshow but you wonder when the planes will be used against you again. It’s even more galling when you realize that you’re paying for the shock and awe campaign.

I’d see the planes on TV and then a couple seconds later, they’d be in my window. On the screen, Trump preened, a child delighted at this air show, the world’s oldest toddler.

In Ancient Rome, they got bread and circuses.

No bread for starving Americans who have lost their jobs in this crisis. Instead, we only get a circus, a noisy air parade from the Department of Endless War.

In Europe, they have free health care. Workers were paid to stay home during the coronavirus. Protective equipment was provided. They beat covid. Now, they celebrate the achievement.

We can only watch from afar because we are banned from visiting. Too much covid here. Trump let the virus get out of control, along with his fellow dictators in Russia and Brazil, who preferred to spend money on military parades.

We deserve more than meaningless gestures, like a flying circus on July 4th.

We deserve a government that works.

Vote blue in November.

Boarded-up buildings used to be a feature of Washington life.

For much of the 1990s, I lived a block off the 14th St NW corridor. It was not the avenue of conspicuous consumption that it is today.

Instead, it was known for prostitutes. 14th St was the city’s red light district.  While most of the seedy strip joints and peep shows were gone by the 90s, the hookers remained. Coming home by cab, I’d see women in tiny skirts and high heels trolling for customers next to shuttered buildings. (An experience that helped to inspire my novel, Don’t Mess Up My Block.)

The Logan Circle area had been like this since the riots of 1968. I couldn’t imagine it ever changing.

Also, it wasn’t called Logan Circle, a neighborhood name that was synonymous with slum. My apartment at 15th and Swann was in a place called Dupont East, according to the real estate listing.

There were no big glass storefronts on 14th St back then. Instead, you had riot architecture. The places that were open were built to survive a disturbance.

One of my favorite dive bars, Stetson’s, embodied this style. It had a brick front with one small window that was made of smash-proof glass cinderblocks.

On 14th St, buildings were either boarded up or covered with big metal shutters that were pulled down after dark. There were a few exceptions to this, of course, like the Black Cat and the ubiquitous auto repair shops that lined the strip; they were probably chop shops.

Things changed slowly and then all at once. Theaters and clubs moved in, opening up the old auto showrooms. For a while, there was were even used bookstores and indie coffeeshops in the neighborhood.

The brief period of the late 90s/early 200os was my favorite 14th St era. Still a bit cheap and seedy, and just dangerous enough to scare off the suburbanites. You could have an unbothered drink at Bar Pilar, go see a pop-up art show in a former brake shop and still afford to live in the neighborhood.

I represented this transition in my short story Apartment 101, depicting three decades in the life of one apartment. It’s largely based upon my experience of living at 15th and Swann.

Washington, DC, exploded with money and people during the Obama years. We had a good mayor in Adrian Fenty who ushered in reforms, got rid of the worst of the corruption and delivered new amenities like bike lanes and new libraries.

Meanwhile, the grungy 14th St corridor I had come to love went upscale.

The boards were taken off and the old buildings were gutted and opened to the street. Barcelona, a Spanish-themed wine bar, was a revelation. A grimy outdoor gym was turned a sparkling stage with a huge glass window allowing people to peer into the boozy life of Washington’s professional set.

And to my surprise, there was even sidewalk dining on this street where I once dodged ranting crazy people and prostitutes. In a homage (mockery?) of the past, a bar called Red Light District opened on the street. The few people who remembered 14th St from the old days thought this was insensitive.

The city was now bougie. And I couldn’t imagine it ever changing.

In 2020, this unhappy year, the pandemic changed everything. In mid-March, everything closed from fear of the coronovirus. Mayor Bowser ordered the city into lockdown.

I used to be annoyed the drunk brunchgoers, the double-parked Ubers, the places like Bar Pilar that had been discovered by the masses. But it felt really creepy to be on the street without people, especially at night.

Following the death of George Floyd in Minneapolis, demonstrations came to DC which devolved into riots, window-smashing and looting. While the police were busy with Black Lives Matter protesters near the White House, organized groups drove around the city, robbing liquor and drug stores.

I went out one morning to see jagged holes in the store fronts of 14th St. Rocks had been thrown through windows of restaurants.

Later that day, boards went up along the length of the 14th St corridor. All the temples of consumerism were now hidden by ugly plywood.

Then the boarded up storefronts blossomed with art, painted by local muralists. An improvement, as the city limps back to life.

Now, restaurants and bars have started to go out of business, like Ghibellina, where I once enjoyed happy hour pizza. While people will do takeout and sit outside, few want to go inside to a bar.

The advantage of the city – the people – has become has become a liability in this covid era.

This is the point where I would write something optimistic, that the bad times certainly can’t endure and that things will soon be back to normal.

But I have been consistently wrong about things since 2016, the world surprising me with new terrible developments; this is a dark timeline.

So, what happens next? With people afraid of crowds and a move toward telework, do cities have a future? What will become of 14th St?

It could go from the wink-wink Red Light District to an actual red light district, rolling back progress all the way to the 1990s.

Or, maybe, it could become the bohemian paradise I loved in the early 2000s. Gritty and a little dangerous but affordable.

The truth is that 14th St is going to change, like it has continuously, adapting to the people and circumstances of the city. Urban life will endure, because people like it. 14th Street will too.